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Why is language? Language is that we may mis-unda-stand each udda.

—Krazy Kat

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Beauty has no evident usefulness, and yet without it, we could not endure our lives.

—Freud

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Art does not reproduce the visible. Rather, it makes it visible.

—Paul Klee

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Time, space, and colleagues in the beautiful Blue Ridge, spring 2012

Activities


LATEST PROJECT:
send us writing that hits the mark!


(Click picture or caption to enlarge.)

Please, no screeds or sermons.

YOU WANT TO WRITE. BEGIN!
Start the new year with fiction classes at the Studio School.



This February, the workshop: “The Practical Writer”:



• You started it and got stuck.
• You got a middle but not an end.
• You got a beginning but not those other two things.
• You finished it, but it’s not wonderful.
• You revised it, but it’s not ready.
• Can you or should you try to publish it?
• How would you go about that?
• What about e-publishing?
• Your work got rejected.
• Your work got accepted.
• You've been asked to read it. Out loud.
—now what?

The Practical Writer
Saturday, February 23, 10 a.m.–4 p.m.


How do we find the form, and how do we wrestle pieces into coherence? This one-day workshop will help you answer all those perplexing questions about writing, from composing and revising to publishing and persisting. We’ll talk about making and improving work, and about where yours goes from here. We’ll talk about submitting—the how-to and where-to of publishing—and about surviving and thriving on rejection. We’ll talk about reading—how to read your own work to an audience, and what you read as a writer.

Bring paper and pencils, work, anxieties, misgivings, and questions. We will use them all.


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This May, the course: “Flash Fiction”


Tuesday nights, 7–10 p.m. May 7–28
How tight can you tell it?
Can you really get a whole story into a paragraph or a page?
There's an art to the very short story.
And also a craft.
Learn more about both.
Pow!
Bam!
Sign up!




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Ongoing: Private Studio Classes, by invitation


Helpful, hand-picked colleagues; knowledgeable, sophisticated instruction; congenial surroundings.

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Everyone Needs an Editor



As you start . . .


• Developmental editing—
Before it's a book, it's an idea, a set of notes, an outline, a bunch of pages. Developmental editing takes it from these beginnings to a completed manuscript, with special attention to the project's
-structure
-content
-plot
-beginning and ending

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As you draft . . .


• Copyediting—
The editor helps the writer make sure the work is
-correct
-clear
-grammatical
-not wordy
-factually accurate
-readable
-meaningful

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After you've written . . .


Manuscript evaluation—
-Is it good?
-Is it ready?
-What now?
General Editing—
-grammar
-spelling
-syntax
-usage
Substantive Editing—
-organization
-coherence
Submission guidance—
-What to send
-Where to send
Consultation—
Proven, experienced guidance finding the right
– MFA program
– fellowship
– residency
– grant
Informed, sophisticated help—
-Crafting better applications
-Improving chances of success

To discuss or arrange evaluation,
editing, or consultation, click
e-mail.


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Anthologies

Fiction
Behind him, flashy in red Hong Kong sharkskin, loomed Staretz, Yacovlev, and Rodchenko. The custom suits couldn't contain the bulky bulges of the big guns that made them all stand so awkwardly.
Chosen by The Iowa Review
Nat Tate was unreal. Hart Crane was real. The story is a fiction on a fiction, the brushy vital verge between fact and dream.
Chosen for this delicious anthology, "A Period of Silence" examines time’s meaning in a marriage.
Winner, STYLE Fiction Prize
The Georgia Review, fall 2009

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