Everywhere I go, I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them.
—Flannery O'Connor
















"A Close Shave on Gorky Street," issue 10.2















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What am I in the eyes of most
people?—a nonentity, an eccentric, or an unpleasant person—somebody who has no position in society and never will have, in short, the lowest of the low.

All right then—I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.

—van Gogh

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Work





"Years later, we returned. We never should have done so," Grandmère sighed. "A grave mistake," she said, pinching her cigarette-holder between thumb and forefinger in the old way. "As long as Mother Russia has existed, her children have fled." Smoke curled like incense and caught in the apple-trees. "Because she destroys those who stay," Grandmère said.

“A Close Shave on Gorky Street”
It's 1994, and Russian gangsters run Moscow. Sashenka, whose aristocratic grandmother has seen it all, takes a job with them and sees a few things herself.















A woman, sometimes traveling by car but more importantly by dragon-ship, tries to become a literal goddess—and her life implodes to a core of madness and violence.
—Stephen Corey, editor, The Georgia Review

“Of course, Grice is long gone, lived by the sword and died by the shank; probably didn’t make it to Valhalla to drink with the honored dead. Grice was excitable. Me, I’m a brooder. I take things slow and careful.”












Heart Trouble
The staff of The Iowa Review chose this excerpt from the novel—only partly for the piglet. Click to catch him and his posse.

Heart Trouble is the story of a family disinherited by history and scarred by radical politics, and also the story of a good father, a man who learns how to lose but never forgets how to love. A finalist for the James Fellowship for the Novel, Heart Trouble is currently seeking a publisher.











“Absence Artist”
From Diagram.2, Del Sol Press, 2006

The second print anthology—work from issues 3.1 to 4.6 that we particularly loved.
—Ander Monson, editor

A prizewinning story from the groundbreaking online journal The Diagram. Here is literary experiment built on fiction and silence, a ghost-story whose ghost’s own provenance is clouded. Nominee, Best American Nonrequired Reading. Twice chosen for Web del Sol’s eScene (best of the zines).





“A Period of Silence”
From Sex & Chocolate, Paycock Press, 2006

Deirdra McAfee’s story crosses the color-line
and plays cancer and the unknown
against loss and longing.

—Richard Peabody, editor, Gargoyle

Now, from the people who brought you Mondo Barbie and Kiss the Sky, a story that offers two essentials of life on earth, and long-haul love besides.



“Age of Iron”
Winner, 2004 STYLE Fiction Prize

“It is the old knowledge, what you were before the fire of feeling, that stays with you in all its terrible detail, calm, ordinary, beautiful, ineluctable. An old joke, a dance-step, a vivid dream, a lie . . . .”



Fiction

Fiction
Behind him, flashy in red Hong Kong sharkskin, loomed Staretz, Yacovlev, and Rodchenko. The custom suits couldn't contain the bulky bulges that made them all stand so awkwardly.
Chosen by The Iowa Review
Nat Tate was unreal. Hart Crane was real. The story is a fiction on a fiction, the brushy vital verge between fact and dream.
Chosen for this delicious anthology, "A Period of Silence" examines time’s meaning in a marriage.
Winner, STYLE Fiction Prize
The Georgia Review, fall 2009

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